The subject's face is divided sharply down the middle, the left half belonging to a Black woman with layered eyes—one floating above the temple, the other doubled and mirrored near the jawline. Her lips are torn and duplicated, one section curling upward, the other positioned oddly below the chin. The right half is a white man’s visage, his nose bridge split and extended unpredictably, one ear cut out and replaced with a rough paper patch. Both halves overlap slightly with jagged, hand-cut edges and visible tape seams binding the disparate skin tones in a fragmented collage logic. The division is violent yet handmade, evoking punk zine rawness.
Her side's skin shows rich texture—visible pores, fine wrinkles near the eyes, and subtle freckles, the hair cropped short and textured. The man's skin contrasts with subtle scars and stubble, his hair roughly trimmed with analog xerox grain visible throughout. The background is a torn monochrome sticker collage with halftone dots and masking tape borders, grounding the portrait in analog, tactile chaos.